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Chanel names Lucia Pieroni creative makeup director
The British makeup artist, who has created runway beauty looks for creative director Matthieu Blazy’s ready-to-wear shows, now leads under the French house’s beauty division.
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今日收录 2 条按本站收录日期排列 · 原文日期单独标注
Luxury Daily艺术 Fonts In Use艺术 原文日期
BESIDE magazine, Numéro 17
Contributed by Cécile Tousignant Source: www.behance.net License: All Rights Reserved . Through its print publication and digital platform, BESIDE elevates stories, ideas, and know-how to build meaningful lives and to imagine a collective future at the crossroads of nature and culture. Issue 17 centers on the ephemeral: the art of the moment, death, nature, and relationships that wither or transform. The fleeting nature of existence reminds us that everything – from seasons to friendships, from natural phenomena to human creations – is subject to the relentless passage of time. But what if the ephemeral could teach us something about humility, acceptance, and beauty? This publication was fou
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Terrafranta identity and packaging
Contributed by Céline Hurka Céline Hurka for Terrafranta . License: All Rights Reserved . Terrafranta organic lavender water packaging Since 2024, I – Céline Hurka – have been developing the visual identity and packaging for the organic farm Terrafranta in Tuscany and most of it was released from summer 2025 onwards. The identity has been designed closely with Carlotta Chiocchini, the farm’s owner and founder, through several stays and periods of working together on site. The identity primarily uses the regular cut of Tonka (designed by Céline Hurka and Huw Williams), with Reverie and Lilian appearing in selected applications. The collaboration has also extended into type design and let to t
查看原项目 ↗Luxury Daily艺术 原文日期
‘Skillcations’ rise as 42pc find new passions through travel: Hilton
The company’s 2027 Trends Report finds travelers trading picture-perfect vacations for flexibility, personal growth and shorter, more frequent getaways.
查看原项目 ↗Creative Review艺术 原文日期
The inside story of Newcastle United’s new crest design
CCO Kenneth McIver explains how the club’s evolved identity draws on its history and the city’s heritage while laying the foundations for a more consistent, globally facing brand
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Oddset logo and website
Contributed by Proof of Words Source: www.oddset.agency Oddset . License: All Rights Reserved . Oddset is a branding agency based between New York, Los Angeles and Seoul. They recently launched their website: a clear and minimal structure, giving a glimpse or the projects they’ve realised, supported by the use of PoW Covenant Mono . The logotype appears to be based on Albra , with added weight. Source: www.oddset.agency Oddset . License: All Rights Reserved . Source: www.oddset.agency Oddset . License: All Rights Reserved . Source: www.oddset.agency Oddset . License: All Rights Reserved . Source: www.oddset.agency Oddset . License: All Rights Reserved . This post was originally published at
查看原项目 ↗It's Nice That艺术 原文日期
Mox reimagine racing entertainment with a brand refresh for Formula E, one of the fastest and sleekest sports in the world
Boasting a bold colour palette, bespoke blocky type and a system that tilts as if it’s ready to tear up tarmac, this refresh pulls up with the future of racecar racing.
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Fonts In Use艺术 原文日期
Hardcore Artbook Fair 2026
Contributed by Loris Espitalier Source: www.instagram.com License: All Rights Reserved . From the About page : We are Hardcore CDMX Art Book Fair, an art book fair powered by Can Can Press in partnership with LagoAlgo. Our goal is to bring together independent publishers, creatives, designers, and editors from around the world, creating a space to share editions, experiences, and exchange ideas. All of this is driven by the perspective of publishing as a hardcore act—pushing boundaries, breaking conventions, and taking the discipline to its limits. For the visual language of the fair that took place from July 30 to August 2, 2026, the design team at HABF uses an array of typefaces including:
查看原项目 ↗It's Nice That艺术 原文日期
Bea Korsh’s Intrusive Thots is an explosive zine about depression, treatment and recovery
Made during a year-long outpatient programme, the experimental comic combines drawings, journals, ephemera and text messages to document the artist’s turbulent inner world.
查看原项目 ↗Fonts In Use艺术 原文日期
LovePaper
Contributed by Enzo Falvo Source: lovepaper.app License: All Rights Reserved . LovePaper is a free web tool for writing a love letter that becomes its own page with a permanent link. No account, no app. The letter is set in Cormorant Garamond Light at 20px, opening on a 56px drop cap in the brand pink (#f1277b) and closing on a Great Vibes signature. Playfair Display appears in section headings across the site. The sans serif is the default UI font and dependent on the operating system used. In the included screenshots, this is Segoe UI . Dark is the default theme. Built and typeset by one developer in Brazil. Source: lovepaper.app License: All Rights Reserved . This post was originally publ
查看原项目 ↗Creative Review艺术 原文日期
Intuit introduces new brand identity to bring together its portfolio of products
Designed by JKR in partnership with the in-house creative team, the new brand platform introduces ‘One Intuit’, where its various products will come together in a common design system to show they are part of the same family
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Barscheit cover
Contributed by Juliette Duhé Photo: Juliette Duhé . License: All Rights Reserved . Barscheit (also spelled Barschejt ) was a Canadian underground, feminist zine from the early 1990s, created by Lisa Robertson, Catriona Strang, and Christine Stewart. Its pages brought together poetry, prose, images, and playful, disruptive forms of writing. Its cover, set in Cloister Black , reuses a famous sixteenth-century caricature from Der Papstesel , a satirical pamphlet created by Martin Luther, Philipp Melanchthon, and Lucas Cranach the Elder. Photo: Juliette Duhé . License: All Rights Reserved . This post was originally published at Fonts In Use
查看原项目 ↗Fonts In Use艺术 原文日期
Lausanne Underground Film & Music Festival (2024–)
Contributed by Formagari Alix Debraine . License: All Rights Reserved . LUFF is a cinema and music festival based in Lausanne, Switzerland. It aims to shine a spotlight on independent cinema by screening short and feature-length films, in addition to musical events, workshops, book and tape launches. The media and interaction designer Martial Grin and the photographer Alix Debraine have been designing the festival's visual identity since 2024, using Metra ( Hugo Le Corre , Formagari ). The poster for the 2024 edition was selected by 100 beste Plakate . Alix Debraine . License: All Rights Reserved . Alix Debraine . License: All Rights Reserved . Alix Debraine . License: All Rights Reserved .
查看原项目 ↗It's Nice That艺术 原文日期
Swirls, beads and Art Nouveau roots: Emily Klaebe on type design as world building
Inspired by subway tiles, mosaics, snail shells and lollipops, this designer uses typography as a way of creating microcosms of larger ideas which expand how typography lives.
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CEALD magazine, issue 1
Contributed by Outline Online Source: www.instagram.com Emma Märschenz, Anna Maurer . License: All Rights Reserved . CEALD magazine, issue 1, was designed by Emma Märschenz and Anna Maurer as a student project at the Fakultät für Gestaltung of Technische Hochschule Würzburg-Schweinfurt , s upervised by Christoph Barth . It explores the privilege of feeling cold as a mirror of contemporary society. Through essays, interviews, and visual research, the publication examines the social and aesthetic dimensions of coldness, considering how minimalism, materiality, and architecture reflect broader structures of privilege and inequality. The editorial design combines the serif typeface OO Lyga , des
查看原项目 ↗Creative Review艺术 原文日期
Exposure: Vic Lentaigne
Gem Fletcher talks to Vic Lentaigne about exploring expression and belonging through a queer lens, and working across the realms of art, editorial and commercial
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Théâtre Le Périscope 2026/2027
Contributed by Anna Khorash Source: www.facebook.com License: All Rights Reserved . Based in Nîmes, Théâtre Le Périscope describes itself as “a living arts factory, a multidisciplinary scene in urban roaming”. Under the new direction of Antonin Beaury, the theater seeks to renew itself and affirm its values of commitment that are embodied by the links with the territory and the various Nîmes partners, through a ‘traveling’ theater model. In tribute to Marcel Jacno ’s designs for the Théâtre National Populaire , designer Manon Couëslan ( Bureau Trouble ) wanted a graphic design that takes up the protest codes of political messages in urban space, helped by Anna Khorash ’s Invert typeface, usi
查看原项目 ↗BP&O商品 原文日期
Playing With Your Food
Packaging expert Lisa Cain shares her opinion on Center’s branding for meal company Riff. The post Playing With Your Food appeared first on BP&O - Branding, Packaging and Opinion .
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Koleżanki i koledzy. Inżynierska 3 by Anna Walewska
Contributed by Olivia Wood Kuba Maria Mazurkiewicz . License: All Rights Reserved . Koleżanki i koledzy. Inżynierska 3 is a reportage and photographic monograph by Anna Walewska, published by the Museum of Modern Art in Warsaw (MSN) in 2024. It covers the artist studios, theatres, photography studios and nightclubs that operated from the mid-1990s at Inżynierska 3, a complex of tenement and warehouse buildings in Warsaw’s Praga-Północ district. The publication combines Walewska’s personal account and interviews with approximately one hundred archival photographs from private collections. The visual design is by Kuba Maria Mazurkiewicz . The publication uses the typefaces Tuna (by Ligature Ty
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Southwest Airlines
Contributed by Carl Crossgrove Photo: Carl Crossgrove . License: All Rights Reserved . Luggage trolleys get branding as well I guess ... Southwest baggage handlers unloading suitcases. Southwest branding nowadays mostly uses the custom Southwest Sans typeface developed at Monotype, but before they rolled it out everywhere, they were using Mundo Sans as a display face. Photo: Carl Crossgrove . License: All Rights Reserved . This post was originally published at Fonts In Use
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