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#艺术与视觉实验

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9月28日周一
  1. Fonts In Use艺术

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    Nightmare Blue by Gardner Dozois & George Alec Effinger

    Contributed by Florian Hardwig Source: www.flickr.com Uploaded to Flickr by Chad . License: All Rights Reserved . Nightmare Blue is a science fiction novel written by Gardner Dozois (1947–2018) together with George Alec Effinger (1947–2002). It was first published in 1975 as a Berkley Medaillon book, with cover art by Paul Lehr (1930–1998). The uncredited typographer used Vantage for the title, with a foreboding blue shadow. Vantage is a boxy sans characterized by triangular notches in counters and shoulders. In this aspect, it’s similar to Checkmate (1968), a semi-slab of wider proportions. Its creator is unknown. The mix of round and angular terminals – compare M and N – suggest it wasn’t

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9月26日周六
  1. Fonts In Use艺术

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    Prefab Sprout – Steve McQueen album art

    Contributed by ronin Source: www.farchant.de License: All Rights Reserved . Steve McQueen is the second album by Prefab Sprout , released on Kitchenware Records in 1985. The album art references the lifelong passion of Steve McQueen for Triumph motorcycles and his 1963 movie The Great Escape . The album title was changed by Epic Records to Two Wheels Good for US releases in fears that McQueen’s estate would file a lawsuit for use of the actor’s name. The band's name is set in the Black weight of Palatino , while the album title is set in the Regular. Same goes for the back cover. [ More info on Discogs ] Source: www.farchant.de License: All Rights Reserved . This post was originally publishe

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  2. Fonts In Use艺术

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    Connie Boswell – Under a Blanket of Blue album art

    Contributed by Javi Gonzalez Source: archive.org License: All Rights Reserved . Under a Blanket of Blue is a 1983 compilation album with jazz/swing music by Connee Boswell (1907–1976, here spelled Connie Boswell), released by Take Two Records. This US release features vintage vocal jazz recordings from the early 1930s. The cover exclusively uses Premier Lightline , featuring its alternate S . [ More info on Discogs ] This post was originally published at Fonts In Use

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9月25日周五
  7. Luxury Daily艺术

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    宾利在旗舰店用休息室和吧台取代展厅排布

    这是宾利在伦敦 Jack Barclay 旗舰店落地的零售空间改版，来源明确的是：该项目由品牌发起，以品牌历史最久的零售商为起点，后续将扩展到全球超过 220 个点位。摘要没有说明合作方、具体开幕节点、观众互动机制、传播渠道与效果数据，这些均标注为未注明。视觉策略上，代表图显示的是转角浅色石材体块加通高玻璃，内部为休息室与吧台布局，店招被压缩到两枚翼标和一行小字，意在把传统的展厅排布视觉让位给生活化陈列。

    推荐理由：转角整块浅色石材包面，只留两枚翼标和悬空字，其余全给玻璃。

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  10. Fonts In Use艺术

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    Evangelion:30+

    Evangelion:30+ 是2026年2月在横滨竞技场举办的为期三天的三十周年纪念节，由205TF参与字体授权，图形设计委托给未具名团队。项目节点包括展览、现场演出、音乐会、座谈、放映、粉丝创作和限定周边。视觉策略上，代表图显示在暗场竞技场中用双巨幕对称呈现高饱和同心圆靶心符号，白色线框图案环绕，字体信息极小。来源未说明具体观众规模、传播渠道、互动机制、奖励和最终效果。

    推荐理由：巨幕双屏将靶心符号放大为暗场唯一光源，观众视线被强制拉向同心圆中心。

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9月24日周四
  4. Fonts In Use艺术

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    真实视野

    Visions du Réel 是每年在瑞士尼永举办的国际纪录片电影节。2026年视觉识别由 Neo Neo 设计，使用 Extraset Type Foundry 的 ES Allianz 字体，贯穿海报、节目册、动态图形和官网；摄影来自富安山智保的 TTP 系列。可见视觉策略是白底蓝字细排版，照片作中心，文字沿四边围合。其他参与方、观众动作、传播渠道、互动机制与效果未注明。

    推荐理由：白框把照片压成取景器，蓝字绕框排成节目单。

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