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Boasting a bold colour palette, bespoke blocky type and a system that tilts as if it’s ready to tear up tarmac, this refresh pulls up with the future of racecar racing.
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Contributed by Loris Espitalier Source: www.instagram.com License: All Rights Reserved . From the About page : We are Hardcore CDMX Art Book Fair, an art book fair powered by Can Can Press in partnership with LagoAlgo. Our goal is to bring together independent publishers, creatives, designers, and editors from around the world, creating a space to share editions, experiences, and exchange ideas. All of this is driven by the perspective of publishing as a hardcore act—pushing boundaries, breaking conventions, and taking the discipline to its limits. For the visual language of the fair that took place from July 30 to August 2, 2026, the design team at HABF uses an array of typefaces including:
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Made during a year-long outpatient programme, the experimental comic combines drawings, journals, ephemera and text messages to document the artist’s turbulent inner world.
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Contributed by Enzo Falvo Source: lovepaper.app License: All Rights Reserved . LovePaper is a free web tool for writing a love letter that becomes its own page with a permanent link. No account, no app. The letter is set in Cormorant Garamond Light at 20px, opening on a 56px drop cap in the brand pink (#f1277b) and closing on a Great Vibes signature. Playfair Display appears in section headings across the site. The sans serif is the default UI font and dependent on the operating system used. In the included screenshots, this is Segoe UI . Dark is the default theme. Built and typeset by one developer in Brazil. Source: lovepaper.app License: All Rights Reserved . This post was originally publ
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Designed by JKR in partnership with the in-house creative team, the new brand platform introduces ‘One Intuit’, where its various products will come together in a common design system to show they are part of the same family
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Contributed by Juliette Duhé Photo: Juliette Duhé . License: All Rights Reserved . Barscheit (also spelled Barschejt ) was a Canadian underground, feminist zine from the early 1990s, created by Lisa Robertson, Catriona Strang, and Christine Stewart. Its pages brought together poetry, prose, images, and playful, disruptive forms of writing. Its cover, set in Cloister Black , reuses a famous sixteenth-century caricature from Der Papstesel , a satirical pamphlet created by Martin Luther, Philipp Melanchthon, and Lucas Cranach the Elder. Photo: Juliette Duhé . License: All Rights Reserved . This post was originally published at Fonts In Use
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Contributed by Formagari Alix Debraine . License: All Rights Reserved . LUFF is a cinema and music festival based in Lausanne, Switzerland. It aims to shine a spotlight on independent cinema by screening short and feature-length films, in addition to musical events, workshops, book and tape launches. The media and interaction designer Martial Grin and the photographer Alix Debraine have been designing the festival's visual identity since 2024, using Metra ( Hugo Le Corre , Formagari ). The poster for the 2024 edition was selected by 100 beste Plakate . Alix Debraine . License: All Rights Reserved . Alix Debraine . License: All Rights Reserved . Alix Debraine . License: All Rights Reserved .
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Inspired by subway tiles, mosaics, snail shells and lollipops, this designer uses typography as a way of creating microcosms of larger ideas which expand how typography lives.
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Contributed by Outline Online Source: www.instagram.com Emma Märschenz, Anna Maurer . License: All Rights Reserved . CEALD magazine, issue 1, was designed by Emma Märschenz and Anna Maurer as a student project at the Fakultät für Gestaltung of Technische Hochschule Würzburg-Schweinfurt , s upervised by Christoph Barth . It explores the privilege of feeling cold as a mirror of contemporary society. Through essays, interviews, and visual research, the publication examines the social and aesthetic dimensions of coldness, considering how minimalism, materiality, and architecture reflect broader structures of privilege and inequality. The editorial design combines the serif typeface OO Lyga , des
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Gem Fletcher talks to Vic Lentaigne about exploring expression and belonging through a queer lens, and working across the realms of art, editorial and commercial
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Contributed by Anna Khorash Source: www.facebook.com License: All Rights Reserved . Based in Nîmes, Théâtre Le Périscope describes itself as “a living arts factory, a multidisciplinary scene in urban roaming”. Under the new direction of Antonin Beaury, the theater seeks to renew itself and affirm its values of commitment that are embodied by the links with the territory and the various Nîmes partners, through a ‘traveling’ theater model. In tribute to Marcel Jacno ’s designs for the Théâtre National Populaire , designer Manon Couëslan ( Bureau Trouble ) wanted a graphic design that takes up the protest codes of political messages in urban space, helped by Anna Khorash ’s Invert typeface, usi
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Contributed by Olivia Wood Kuba Maria Mazurkiewicz . License: All Rights Reserved . Koleżanki i koledzy. Inżynierska 3 is a reportage and photographic monograph by Anna Walewska, published by the Museum of Modern Art in Warsaw (MSN) in 2024. It covers the artist studios, theatres, photography studios and nightclubs that operated from the mid-1990s at Inżynierska 3, a complex of tenement and warehouse buildings in Warsaw’s Praga-Północ district. The publication combines Walewska’s personal account and interviews with approximately one hundred archival photographs from private collections. The visual design is by Kuba Maria Mazurkiewicz . The publication uses the typefaces Tuna (by Ligature Ty
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Contributed by Carl Crossgrove Photo: Carl Crossgrove . License: All Rights Reserved . Luggage trolleys get branding as well I guess ... Southwest baggage handlers unloading suitcases. Southwest branding nowadays mostly uses the custom Southwest Sans typeface developed at Monotype, but before they rolled it out everywhere, they were using Mundo Sans as a display face. Photo: Carl Crossgrove . License: All Rights Reserved . This post was originally published at Fonts In Use
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Contributed by XYZ Type Polymode . License: All Rights Reserved . Strikethrough: Typographic Messages of Protest was an exhibition at the Letterform Archive co-curated by Silas Munro and Stephen Coles that showcased over 100 protest graphics and objects spanning from the 1800s to present day. Randa Hadi of Polymode led the design of the exhibition space. Munro authored the accompanying book, also designed by his studio Polymode . The design system is themed around the call-and-response action of protest movements. The cover directly pulls from a blue-and-purple 1970 Power to the People poster that features an uplifted fist and angled type set sideways. The typography features two fairly neut
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Secondhand Skins is a new campaign that lets Counter-Strike 2 gamers donate skins and in-game items no longer wanted with the proceeds going to the charity
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Part collage art, part cookbook, Sveinung Sudbø didn’t want to simply map out flavour profiles, he brings them to life through collage and a loudness that suits the complex tastes of Thailand.
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Contributed by Ilya Naumoff Source: www.instagram.com License: All Rights Reserved . TRANSIT 's first travel guidebook is dedicated entirely to Thailand. Based on a month of on-site research by the editorial team, the publication features more than 550 destinations and recommendations across the country. Designed by There There , the guide makes extensive use of Factor A , its ligatures, and funky alternates, whose lively character complements the richness and energy of the content. The Japanese typeface likely is Koburina Gothic . Source: www.instagram.com License: All Rights Reserved . Source: www.instagram.com License: All Rights Reserved . Source: www.instagram.com License: All Rights Re
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该项目由 Watches of Switzerland Group 发起，在 Marlton 落地一处双品牌展厅，摘要明确为 4,505 平方英尺、双入口格局，店内并列呈现 Rolex 与 Omega 腕表，以及 Messika 与 Roberto Coin 珠宝。代表图显示沿街立面对半分割：浅色一侧为细字横排配矩形通高窗，深色一侧为较大字横排配三扇拱窗，两段各有独立入口与橱窗照明，材料与开窗形成明确对照。至于合作方在项目中的角色、活动时间节点、观众参与方式、传播渠道、互动机制、奖励设置与实际效果，来源均未注明，不作推测。
推荐理由：同一立面切成两段，左侧白墙细字密排开窗，右侧深底大留白字配三扇拱窗。